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II. Sounds & Shapes

from Bigfoot Revelation by The Wood Prophets

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Footprints, stick structures, sounds in the night, sounds at a distance, shadows behind trees, shapes far away -- a bit of fur, elusive evidence of activity or proximity: are we tracking prey or trying to follow the clues to reconnect with a lost friend?

Much Bigfoot seeking takes the form of tracking and/or hunting. Makes sense inasmuch as we are and have been a predatory species, so our defaults of looking for something kind of notch into this. But all these wisps of sounds and shapes don't often add up to a hill of beans in the vast array of Bigfoot games that have been played over the past 60-70 years or more. All cultures have had Bigfoots, and many understand that there is a kind of respectful distance between them and us.

Maybe sounds and shapes are as close as we should be permitted to get to Bigfoot.

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from Bigfoot Revelation, released September 23, 2023

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Cornelius Boots - Bass Shakuhachi, Nature Blues 尺八 Philadelphia, Pennsylvania

Woodwind Nature & Rustic Flute Spirituals: from hymns to heavy metal. New music/compositions for jinashi & bass shakuhachi (Taimu), the robust woodwind of Japan.

Cornelius Boots is a leading creative shakuhachi composer-performer, active internationally in woodwinds since 1990. A grandmaster (Dai Shihan) in the Zen lineage of Watazumido. Ex-orchestral/rock bass clarinetist, jazz/funk bandleader.
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